A refined collection of filmic finishing LUTs bringing cinematic harmony to your Rec.709 footage.
Built on a neutral Rec.709 foundation, the Afterglow LUTs are designed as finishing looks — crafted to unify your graded footage with subtle colour harmony and filmic tonality. Dial in your contrast and then apply these LUTs to bring your own primary grade into one cohesive world.
Nomadic Drift
Nomadic Drift subtly leans midtone hues toward warm amber, offset by a faint steel bias in the shadows. Saturation and luminance are gently restrained, yielding a grounded and muted cinematic palette.
Jungle Honey
Jungle Honey enriches your footage with a warm green–gold harmony, guiding foliage and midtone hues toward deeper emerald and golden amber while keeping skin vibrant yet natural. A gentle split tone cools shadows into a soft jade-cyan and lets highlights bloom into creamy warmth.
Andean Dust
Andean Dust brings warmth and coolness into quiet balance — muted teal shadows, rich terracotta skin tones, and soft cream highlights that echo hazy mountain air.
Vapour Bloom
Vapour Bloom guides the ambient tones into a cool cyan–teal envelope, applying a gentle cyan rotation through the upper-mid and highlight vectors while preserving warm, rich skin. A mild split tone between cool ambience and warm midtones creates a soft density and nostalgic character, shaping a cohesive teal–amber harmony.
$38
x4 Finishing LUTs
Save by bundling with other Visual Tone products.
Built to work across all major editing platforms — including Adobe Premiere Pro, Final Cut Pro, DaVinci Resolve, Photoshop, and any software supporting 3D LUTs.
Each Finishing LUT is optimised for standard Rec.709 video, ensuring reliable results straight out of camera. For footage captured in LOG or other colour spaces, simply normalize your image to Rec.709 before applying an Afterglow LUT for a consistent, true-to-life finish
No. This LUT only adjusts color hues and mild luminance values. Correct your exposure and contrast first, then apply the LUT.
Yes. It works on all smartphone footage unless you’ve shot in Apple Log. In that case, convert your footage to a standard Rec.709 color space before applying the LUT.
Yes. Simply transform your LOG footage to Rec.709 before applying the LUT for accurate results.
It’s built to professional standards but simple enough for beginners to use.
Each LUT is provided as a 65-point 3D LUT (.cube) file.
Yes — the Afterglow Collection offers all LUTs at a reduced bundle price.
Yes, commercial use is fully permitted.
Combine these LUTs with world class sound design.
